The human-nature interface, the way it functions and the consequences, for example the climate changes of the last two centuries.The phenotype and phenotypic plasticity not only from a biological point of view, but mostly transferred and studied in a social perspective. Nostalgia as a phenotypic plasticity of memory, personal and collective. The poetics of constructed image and atmosphere.
Inclusive - the visitor enters and is included in an atmosphere and environment created by me. This is how I would describe the way I work with space in the majority of my projects. The fact that I graduated in mural painting ( in the golden age of the art academy in Sofia) helps me a lot in my work.
I use text much more on an energetic level than as a narrative. The emotion it evokes that accompanies me in creating the atmosphere of a work. A building material in the visualization of images that I use in the way that in ancient times the builders would embed the shadows of chosen people into the foundations of a bridge, church or home that would make them sustainable as an aesthetic and durable over time.
Meeting. Conversation. Empathy. Emotion.
A question that would be much better answered by professionals dealing with anthropology, philosophy, art historians and curators of contemporary art. For me, the research approach is the basis of 90% of my projects.
